How To Randomize Clips In Premiere

Automating clips to a sequence is corking for starting a project in Premiere Pro, because it allows you to get a large number of clips, images, or sound files downwardly to the timeline very quickly. If you're making a slideshow, putting together a demo or selects reel, creating a timelapse from stills, or you demand to put audio down in the timeline with the pops taken out, yous'll benefit from this technique.

Organize Up Front

Since the Automate To Sequence function works, well, automatically, it'southward best to get everything organized the way you lot desire it before you offset the automation. Select every clip yous want to be brought down and put information technology in a new bin (they can be outside of a bin, merely it's easier if they're all in the aforementioned bin). Then go through and ready the in and out points of the section you want to be sent to the sequence. You can be every bit precise about this as y'all want (for example, if every video prune needs to be exactly 42 frames), or you tin just select a general department of each clip you like and conform information technology after it's sent downward into the sequence.

The automation too non only allows you to place the clips in the sequence using a specific in/out point, but in a specific club, too. Either sort the clips by whatever metadata you prefer (elapsing, media start, etc.), or switch over to grid view and suit the files in the correct order there.

Automating to a Sequence

Now that your files have in and out points and are in a separate bin, organized in the lodge y'all prefer, it's time to select the files or the bin you want to use. Click on the Automate To Sequence push in the projection console or go up to Clip > Automate To Sequence. A new window will pop upward with all of your options. It looks like this:

They're all pretty self-explanatory, but here'southward a quick rundown of your options:

Ordering: Selection gild places the clips in the timeline based on the order in which yous selected them in the project panel. Use control or control and click the clips to select more than one. Sort Gild uses the gild in which they're sorted, either by metadata or how you lot arranged them in the icon view. Usually, Sort Order is all-time with icon view, and Selection Social club is best with list view.

Placement: Sequentially means that all the clips are placed one after the other, based on the ordering setting. At Unnumbered Markers means that the clips are placed one past ane starting at each marker; create markers past clicking in the timeline to deselect everything and printing the "M" key. A new marking will be created, and a clip will be placed at each marking(s)*. A gap volition be created if your clip duration isn't long plenty to fill the area betwixt markers. Make certain that your playhead is moved to the beginning of the timeline when y'all're using markers. Whatever that are in front of the playhead will be ignored.

*If you want to "edit to the crush," place your music runway in the timeline, brand a mark at the first frame of the song, striking the infinite bar, and play the song forrad. Printing the "Grand" cardinal everywhere you want to add a cut, then select your clips or bin, click the Automate To Sequence button, choose your settings, and hitting OK. This also works well for covering edit points in an interview. But make markers where spring cuts or pauses in the dialogue would be, then place your footage automatically over the cuts.

Method: This is how you want the clips to be edited into the sequence. Using Insert Edits will push everything later on your clips later in the timeline, extending the length of your overall edit. Using Overwrite Edits will lay the clips down without pushing everything else after in the timeline. Typically, you'll want to use Overwrite Edits when editing to a beat out, then that you don't push your song downwardly the timeline.

Clip Overlap: Prune Overlap adds handles either in frames or seconds to every prune. This gives you some jerk room on each end if yous want to trim everything after it's on the timeline, and is necessary when using transitions. This only works when the clips are placed sequentially, not when markers are used.

Still Prune Duration: You lot tin can set the duration for whatever imported stills, including adjustment layers, black videos, color solids, and, of course, images. Use their in/out points or set a specific duration. Setting it to 1 frame means that you can select an entire bin or grouping of images and make a timelapse using this role quite hands!

Transitions: When you select Transitions for either audio or video, it volition add the default transition that you lot have in your preferences (centered on the cut), which is typically a cross dissolve. Yet, you can make whatsoever video or audio transition the default by opening it in your effects panel, then right-clicking and selecting the option to make it the default. This volition obey your default transition duration too, which tin can be set in your preferences.

You also won't be able to utilize this selection if Prune Overlap is disabled. Lastly, the default transition will be express to the amount of clip overlap.

Audio pops tin can actually be removed by automating split audio clips* into the sequence with short transitions. This is key when bringing in interviews or other soundbites with this method. Set your Premiere Pro default transition duration to 2 or 4 frames by hitting command or control + comma (,) or by going to Premiere Pro > Preferences > Timeline and changing information technology in that location. So, in the Automate To Sequence settings window, match the default transition elapsing to your Premiere default transition elapsing. When yous bring in the audio files, there will be transitions between the clips.

*If you want to automate different sections from the aforementioned audio clip with transitions, y'all need to first open the file in your source monitor, fix the in and out points, and then control/command or right-click in the section and select "Make Subclip." Check the box to Restrict Trims to Subclip Boundaries and click OK. Exercise this for every section or soundbite, then select their bins or all the subclips and automate them to the sequence in the aforementioned way as higher up.

Ignore Options: Ignore either the audio or video upon automation.

One time you take all of your options set up, it'due south every bit simple equally hitting OK and seeing everything go right into your timeline exactly the mode y'all wanted. Tweak every bit necessary and get from in that location.

Automating clips to a sequence is 1 of the easiest and quickest ways to get a project started and takes minimal work upwards forepart for a large render subsequently. Information technology'due south non for every projection, but for projects in which information technology does work, it's a game-changer.

Have questions about using Automate to Sequence in Premiere Pro? Need other timeline communication? Let united states of america know in the comments below. Also, don't forget to download the gratis Pond5 Add-On for Adobe Premiere Pro!

Source: https://blog.pond5.com/22042-how-to-automate-clips-to-sequences-for-faster-edits-in-premiere-pro/